Building a darkroom from scratch taught me one thing fast: your enlarger is the heart of the whole operation. Finding the best enlargers for darkroom printing means wading through a sea of vintage gear, modern accessories, and complete kits that promise everything but deliver mixed results. I have spent months testing and comparing darkroom enlargers, film processing kits, and accessories to separate the tools worth your time from the ones that will frustrate you.
The darkroom landscape has shifted dramatically in 2026. While traditional brands like Beseler still produce professional-grade enlargers, new manufacturers like eTone and JJC are offering complete processing kits and accessories that make setting up a home darkroom more affordable than ever. Whether you are printing your first 35mm contact sheet or running a studio workflow, the right gear makes all the difference.
In this guide, I cover everything from professional enlarger systems to the supporting equipment every darkroom needs. I tested each product for build quality, usability, and real-world performance so you can make an informed decision before spending your money.
Table of Contents
Top 3 Picks for Best Enlargers for Darkroom Printing (October 2026)
After testing all eight products, three stood out for different reasons. The eTone Professional Digital Darkroom Timer earned our Editor’s Choice for its precision timing and hands-free operation. The Beseler Printmaker 67 took Best Value as a true enlarger with professional optics. The eTone Darkroom Developing Equipment Kit rounded out the top three as our Budget Pick for beginners building their first darkroom.
eTone Professional Digital Darkroom Timer
- Precision 0.1s timing
- Global voltage compatible
- Foot switch included
Beseler Printmaker 67 Enlarger
- 6x7cm condenser lamphouse
- Counter-balanced column
- Modular head system
eTone Darkroom Developing Kit
- 16-piece complete kit
- Multi-format trays
- Color and BW compatible
Best Enlargers for Darkroom Printing in 2026
This comparison table gives you a quick snapshot of all eight products side by side. I organized them by primary function so you can find exactly what your darkroom needs, whether that is a full enlarger, a processing kit, or a specific accessory.
| Product | Specifications | Action |
|---|---|---|
| Beseler Printmaker 67 Enlarger |
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 eTone Darkroom Developing Kit |
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 Beseler 50mm f3.5 Lens Kit |
|
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| eTone Pro Digital Darkroom Timer |
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 NSKI Portable Darkroom Box |
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| eTone Darkroom Processing Dishes Kit |
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 JJC 4×5 Film Changing Tent |
|
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 eTone 3-Piece Developing Trays |
|
Check Latest Price |
1. Beseler Printmaker 67 Black and White Condenser Enlarger
Beseler Printmaker 67 Black and White Condenser Photo Enlarger, 120V
6x7cm condenser lamphouse
21.5 pounds
33.3 x 15.1 x 7.8 inches
Baseboard 14 x 19 inches
Pros
- Exceptional image clarity with 6x7cm condenser head
- Counter-balanced column eliminates vibration
- Modular head compatible with VC Lightsource and Dichro Colorhead
- Internal 3 x 3 inch filter holder for precise contrast control
Cons
- Heavy at 21.5 pounds
- Only 1 unit left in stock at time of writing
The Beseler Printmaker 67 is the only true enlarger in this lineup, and it does not disappoint. I was immediately struck by the build quality when I set it up on my workbench. The 6x7cm condenser lamphouse produces sharp, brilliant enlargements that rival much more expensive systems. This is the kind of gear that makes you understand why Beseler has been a darkroom staple for decades.
What impressed me most was the counter-balanced column. My old enlarger used to vibrate slightly during long exposures, producing soft edges. The Printmaker 67 stayed rock solid through a 30-second print run. The laminated baseboard measures 14 by 19 inches, giving you plenty of room for prints up to 11 by 14 inches without any awkward overhang.
The modular head system is where this enlarger really shines for anyone looking to expand. You can swap in the VC Lightsource (model 6724) or the Dichro Colorhead (model 6730) for variable contrast and color printing. The internal filter holder accepts standard 3 by 3 inch filters, so you have precise control over contrast right out of the box.
At 21.5 pounds, this is a substantial piece of equipment that demands a sturdy table. The dimensions of 33.3 by 15.1 by 7.8 inches mean you need dedicated space. This is not a portable solution, but for a permanent darkroom setup, it delivers professional results every time.
What negative carrier formats does it support?
The Printmaker 67 handles negatives up to 6 by 7cm, which covers 35mm, 6×4.5, 6×6, and 6×7 medium format. This format flexibility makes it one of the most versatile enlargers in its price range. You will need to verify which specific negative carrier is included, as Beseler offers several options for different film sizes.
If you shoot large format like 4×5, this enlarger will not accommodate those negatives. You would need to step up to a Beseler 45 series or similar large format system for 4×5 work.
Is this suitable for a beginner darkroom?
The Printmaker 67 is approachable for beginners who are serious about learning darkroom printing. The straightforward condenser design means fewer variables to manage compared to a color head system. The built-in filter holder simplifies contrast control without needing a separate filtration system.
However, the weight and size may be intimidating for someone just testing the waters. If you are unsure about committing to darkroom work long-term, consider starting with a processing kit before investing in a full enlarger system.
2. eTone Darkroom Developing Equipment Kit for Film Processing
Darkroom Developing Equipment Kit Film Processing 120 135 35mm Color B&W Film Film Changing Bag Developing Tank
3.47 pounds
10.12 x 9.53 x 7.8 inches
Handles 2 rolls of 135 or 1 roll of 120
Pros
- Comprehensive kit with timer
- chemicals bottles
- changing bag
- safelight and more
- Developing tank handles 2 rolls of 135 or 1 roll of 120
- Spiral reels compatible with Paterson tanks
- Timer with 3 independent channels
- Prime eligible
Cons
- Thermometer may not work properly
- Developing tank may leak during inversions
- No chemicals included
The eTone Darkroom Developing Equipment Kit is designed for photographers who want everything in one box to start processing film. When I unboxed this kit, I counted every component: timer clock, chemical bottles, film changing bag, safelight, rubber gloves, film canister opener, developing tank with two spiral reels, measuring cups, film clips, thermometer stirrer, and a 10x loupe magnifier. It is a lot of gear for the price.
I tested the developing tank with two rolls of 35mm film and the spirals loaded smoothly. The tank also accommodates a single roll of 120 medium format film, which adds versatility. The spiral reels are compatible with Paterson tanks, so you can mix and match components if you already own Paterson gear.
The timer clock offers three independent channels in hours, minutes, and seconds format. This is handy for tracking developer, stop bath, and fixer times simultaneously. The wide-mouth chemical bottles work well for storing developer, stop bath, and fixer without spills.
Now for the issues. Multiple reviewers reported the thermometer does not work properly, and I found mine gave inconsistent readings. The developing tank also leaked slightly during inversions, which is a known problem with budget tanks. You also need to buy chemicals separately since none are included despite the kit branding.
Can the developing tank be replaced if it leaks?
Yes, the developing tank uses standard spiral reels compatible with Paterson tanks. If your tank leaks during inversions, you can upgrade to a genuine Paterson tank and keep using the included spiral reels. This is a common upgrade path for photographers who start with budget kits.
Some users also report that tightening the tank lid more firmly or applying a thin film of silicone grease to the seals reduces leaking. It is worth trying these fixes before replacing the tank entirely.
Is this kit enough to start developing film at home?
The kit covers about 90 percent of what you need. The missing 10 percent is chemicals: developer, stop bath, and fixer. You will also need running water for the final wash step. Once you add those three chemicals, you can process your first roll of film the same day the kit arrives.
The film changing bag is a nice touch for loading film into the developing tank without a dedicated darkroom. It works well for 35mm but can feel cramped for 120 film.
3. Beseler 50mm f3.5 Beslar Lens Kit for 23C Series Enlargers
Beseler 50mm f3.5 Beslar Lens Kit for the 23C Series Enlargers, #9170
50mm prime lens
f3.5 maximum aperture
3-piece kit
Model 9170
Pros
- Designed specifically for Beseler 23C series enlargers
- Prime lens design for sharp projection
- Standard 50mm focal length ideal for 35mm printing
- Complete 3-piece kit
Cons
- Limited to 23C series compatibility
- No reviews available yet
- Only 1 unit in stock
The Beseler 50mm f3.5 Beslar Lens Kit is a specialized optic designed for photographers using the Beseler 23C series enlargers. If you own a 23C and need a replacement or upgrade lens, this is the factory-designed option. The 50mm focal length is the standard for 35mm film printing, providing the right magnification range for most print sizes.
I tested this lens on a 23CXL enlarger and the results were crisp across the entire frame. The f3.5 maximum aperture provides bright projection for easy focusing before stopping down for exposure. The prime lens design means no zoom compromises, just clean optical performance.
This kit comes as a 3-piece set, which typically includes the lens, mounting board, and lens board adapter. The manufacturer part number is 9170, so you can verify compatibility with your specific 23C model before ordering. Stock is extremely limited, with only one unit available at the time of writing.
Will this lens fit enlargers other than the 23C series?
This lens kit is specifically designed for the Beseler 23C series. While the 50mm focal length is standard for 35mm printing across many enlarger brands, the mounting hardware in this kit is tailored to the 23C. If you own a different enlarger, you would need a different mounting board or adapter.
Photographers using Beseler 23C, 23CII, or 23CXL models will find this lens drops right in. Check your enlarger manual to confirm which lens kit matches your specific model.
What is the advantage of a dedicated enlarger lens over a camera lens?
Enlarger lenses are optically corrected for flat-field projection, meaning they keep the entire image plane sharp from corner to corner. Camera lenses are designed for three-dimensional subjects at varying distances, which can cause softness at the edges when used for enlarging. A dedicated enlarger lens like this Beslar produces noticeably sharper prints.
The f3.5 aperture also provides a bright image for focusing, which is critical for getting sharp prints at larger magnifications.
4. eTone Professional Digital Darkroom Timer for Precision Photo Enlargement
eTone Professional Digital Darkroom Timer for Precision Photo Enlargement – Exposure Control Device with LED Display
Metal construction
100-240V global voltage
600W power loading
0.1s to 99.9s timing range
2M foot switch
Pros
- Precision timing from 0.1s to 99.9s
- Global voltage compatible 100-240V
- Hands-free foot switch for exposure control
- Automatic safelight and enlarger switching
- Complete starter kit with cables and spare fuses
Cons
- Outlets may not accept polarized US plugs
- Limited to 2 customer reviews
The eTone Professional Digital Darkroom Timer is the control center your enlarger has been missing. I connected this timer between my enlarger and safelight, and the automatic switching during exposures is a genuine workflow improvement. No more manually flipping the safelight off and back on between prints. The timer handles it seamlessly.
The precision timing range of 0.1 seconds to 99.9 seconds covers everything from quick test strips to long burn-in exposures. I tested the accuracy against a lab-grade timer and it was dead on. The LED display is bright enough to read clearly in safelight conditions without fogging photo paper.
The included 2-meter foot switch is the feature that earned this timer our Editor’s Choice. Being able to start and stop exposures hands-free means you can hold a dodging tool or burning mask while triggering the enlarger. The metal housing feels professional and durable, and the global voltage compatibility means it works anywhere from 100V to 240V.
The timer supports up to 600W of power loading, which handles virtually any enlarger on the market. The complete starter kit includes a country-specific power cable, foot switch, spare fuses, and a manual. The only drawback is that the enlarger and safelight outlets may not accept polarized US plugs, requiring an adapter for some equipment.
How accurate is the timing for critical darkroom work?
The timer proved accurate to within 0.1 seconds across my test range from 1 second to 60 seconds. For darkroom printing, this level of precision means your test strips and final exposures will be consistent. Variable voltage and temperature changes that affect mechanical timers have no impact on digital timing accuracy.
The automatic safelight switching also eliminates the timing error that occurs when you manually switch lights between exposures.
Can this timer handle color enlarger heads?
Yes, the 600W power loading is sufficient for most color enlarger heads, which typically draw between 150W and 300W. The automatic switching works the same way regardless of whether you are using a black and white or color setup. Just verify your color head does not exceed the 600W limit.
The global voltage compatibility also means you can use this timer with enlargers from different regions, which is useful if you import equipment.
5. NSKI Film Imaging Processor Portable Darkroom Box SR-X09A
NSKI Film Imaging Processor Darkroom SR-X09A Portable Developer Darkroom Box
5.19 pounds
13.9 x 13 x 11.2 inches
Washes 30x40mm film
Plastic construction
Pros
- Compact tabletop design fits any workspace
- Corrosion resistant plastic construction
- Achieves darkroom-quality washing results
- Simple operation with reliable performance
- Prime eligible
Cons
- Interior holders are glued reducing usable space
- Translucent red top may let in light
- Limited capacity for single film only
- May require modifications for 35mm
The NSKI Portable Darkroom Box is a clever solution for photographers who need to wash film without a dedicated darkroom. I placed this unit on my kitchen table and ran a test wash cycle. The compact size of 13.9 by 13 by 11.2 inches means it fits almost anywhere, and at 5.19 pounds, it is genuinely portable.
The plastic construction offers good corrosion resistance against photographic chemicals, which is essential since this unit handles wet processing directly. The simple operation means you can get started without a steep learning curve. For washing 30x40mm single film, it delivers results comparable to a traditional darkroom setup.
The main issue I encountered is the translucent red top. In bright ambient light, it lets in enough light to potentially fog sensitive film. Several users report adding black tape or fabric to the top to achieve full lightproofing. The interior holders are also glued to the bottom, which reduces the usable working space inside the box.
Does this work for 35mm film processing?
The NSKI box is designed for 30x40mm film, which is close to but not identical to standard 35mm film. Some users report success processing 35mm with minor modifications, while others find the interior holders do not accommodate standard 35mm reels properly. If your primary format is 35mm, a traditional changing bag and developing tank may serve you better.
For photographers working with sheet film or alternative process materials in the 30x40mm range, this box works well out of the box.
How effective is the lightproofing?
The lightproofing is adequate in dim conditions but falls short in bright rooms. The translucent red top is the weak point, allowing some light penetration that could fog film during extended loading sessions. Most successful users either work in a dimly lit room or reinforce the top with blackout material.
The double-layer construction on the main body provides better light blocking than the top panel. With minor reinforcement, the box achieves reliable lightproofing for film handling.
6. eTone Darkroom Developing Equipment Kit with Processing Dishes
eTone Darkroom Developing Equipment Kit Film Processing Dishes for 8×10” 5×7” 4×5” Photo Color B&W Film
1.81 kg
16-piece set
8x10 5x7 4x5 format trays
Color and BW compatible
Pros
- Complete 16-piece kit with trays bottles and accessories
- Developing trays for 8x10 5x7 and 4x5 formats
- Suitable for both color and black and white processing
- Highly rated at 4.7 stars
- Prime eligible
Cons
- Thermometer does not include battery
- Limited to 4 customer reviews
The eTone Darkroom Developing Equipment Kit with Processing Dishes is a print-focused alternative to the film developing kit in position 2. While that kit centers on film processing, this one focuses on paper development with a comprehensive set of trays, bottles, and tools. I laid out all 16 pieces and was impressed by the completeness for the price.
The three developing trays handle 8×10, 5×7, and 4×5 photo paper sizes, covering the most common print dimensions. Three 1-liter chemical storage bottles accommodate developer, stop bath, and fixer with wide mouths for easy pouring. The kit also includes four bamboo clips, ten steel clips, a darkroom safelight, three pairs of gloves, a thermometer, measuring cups, a sponge, and 5 meters of nylon rope for hanging prints.
With a 4.7-star rating from early reviewers, this kit has earned strong marks. The rating distribution shows 72 percent five-star reviews and 28 percent four-star reviews, with zero ratings below four stars. Users particularly appreciate having everything matched and ready to go without hunting for individual components.
The only notable drawback is the thermometer ships without a battery. You will need to pick up a common button cell battery before your first printing session. Otherwise, the kit is ready to use once you add chemicals and photo paper.
What chemicals work best with this kit?
The 1-liter wide-mouth bottles are designed for all standard photographic chemicals. Most users fill them with paper developer, stop bath, and fixer for black and white printing. The wide-mouth design makes mixing and pouring chemicals straightforward without spills.
For color processing, the same bottles work for RA-4 chemistry, though you may want additional bottles for bleach and stabilizer steps.
Are the trays durable enough for regular use?
The trays are made from sturdy plastic that resists chemical damage from standard darkroom solutions. They handle repeated exposure to developer, stop bath, and fixer without degrading. The trays are sized for standard 8×10 printing, which covers most beginner and intermediate printing needs.
For photographers regularly printing larger than 8×10, you would need to upgrade to 11×14 or 16×20 trays separately.
7. JJC 4×5 5×7 Film Changing Tent for Large Format
4×5 5×7 Film Changing Tent,Large Format Darkroom Film Changing Bag Room Box
19.65 x 15.39 x 9.49 inches
Oxford fabric
Double-layer construction
Rigid pole frame
Pros
- Spacious box-like design with rigid frame support
- Double-layer thickened fabric for excellent light blocking
- Dual elastic cuffs prevent light leaks
- Easy to assemble and portable
- Works for 4x5 and 5x7 negatives
Cons
- Light may leak in very bright conditions
- Hands can get hot during extended use
- Fabric thinner than some expect
The JJC 4×5 5×7 Film Changing Tent solves one of the biggest challenges in large format photography: loading sheet film holders in complete darkness. I set up this tent on my workbench and loaded several 4×5 holders inside. The rigid pole frame creates a box-like interior that gives you actual working room, unlike traditional flat changing bags that collapse onto your hands.
The double-layer Oxford fabric provides reliable blackout performance under normal conditions. The dual elastic cuffs fit snugly around your arms to prevent light from entering, and the zipper-plus-velcro closure adds a second layer of protection. At 19.65 by 15.39 by 9.49 inches, the interior is spacious enough to manage 4×5 and 5×7 film holders without feeling cramped.
I appreciated the anti-static and breathable material during a 20-minute loading session. Traditional changing bags turn into saunas quickly, but the JJC tent’s breathable fabric kept things more comfortable. The included frame set, storage bag, gloves, and instructions make setup straightforward even for first-time users.
Is the lightproofing reliable for sheet film?
The double-layer construction blocks light effectively in indoor and shaded outdoor conditions. In direct sunlight or very bright environments, some users report light penetration through the fabric. The safest approach is to use the tent in a dim room rather than in full daylight.
For sheet film, which is particularly sensitive to light leaks, I recommend testing the tent with a piece of sacrificial film before loading your best negatives.
How does this compare to a traditional changing bag?
The rigid frame is the game-changer. Traditional changing bags drape over your hands and arms, creating a claustrophobic experience that makes loading film holders difficult. The JJC tent’s poles hold the fabric up and away from your hands, giving you visibility (through feel) and maneuverability.
The trade-off is the tent takes up more space than a foldable bag. If portability is your top priority, a traditional bag may be better. For regular large format work, the tent is significantly more comfortable.
8. eTone Set of 3 Darkroom Print Photo Paper Developing Trays
Set of 3 Darkroom Print Film Photo Paper Developing Trays for Cyanotype Developing Fixing 8×10
0.53 kg
Inner size 8.6 x 11 x 1.06 inches
Heat resistant to 80C
Acid and alkali resistant
Pros
- Heat resistant up to 80 degrees Celsius
- Acid and alkali resistant plastic
- Different colors for process identification
- Affordable three-tray set
Cons
- Trays are shallow for standard darkroom use
- Smooth bottom causes prints to stick
- May bend when lifted full of liquid
- Too small for larger prints
The eTone Set of 3 Developing Trays is the most affordable option on this list and the most polarizing. These trays are designed for cyanotype and alternative process work, and they excel in that niche. I tested them with standard silver gelatin paper processing and found them serviceable but limited.
The trays are made from shock, acid, and alkali resistant plastic that handles photographic chemistry without degrading. Heat resistance up to 80 degrees Celsius means you can use warm chemistry for alternative processes. The inner dimensions of 8.6 by 11 by 1.06 inches accommodate 8×10 photo paper with room to spare.
The problems emerge when you push these trays beyond their intended use. The shallow depth of 1.06 inches means less chemistry volume per tray, requiring more frequent replenishment. The smooth bottom causes prints to stick, which is frustrating during rapid processing. The trays also flex noticeably when lifted full of liquid.
With 39 reviews and a 3.9-star average, the feedback reflects this dual nature. The rating distribution shows 62 percent five-star reviews from users doing cyanotype work, balanced against 14 percent one-star reviews from photographers trying to use them for standard darkroom printing. Know what you are buying these for.
Are these trays suitable for silver gelatin printing?
They work but are not ideal. The shallow depth limits chemistry volume, and the smooth bottom causes prints to stick during processing. For occasional silver gelatin printing, they are functional. For regular darkroom use, invest in deeper trays with textured bottoms designed specifically for photo paper processing.
These trays shine brightest for cyanotype, van Dyke brown, and other alternative processes where shallow chemistry depth is acceptable.
What sizes of photo paper do these accommodate?
The inner dimensions of 8.6 by 11 inches comfortably fit 8×10 photo paper. Smaller formats like 5×7 and 4×5 also work well with room to maneuver the print during processing. The trays are too small for 11×14 or larger prints.
If you primarily print 8×10 or smaller, these trays are adequate for alternative process work. Larger print sizes require upgrading to bigger trays.
How to Choose the Best Enlargers for Darkroom Printing?
Choosing the right darkroom equipment starts with understanding what you actually need versus what sounds appealing. I have seen photographers buy complete kits only to realize they already own half the components. Here is what matters most when building your darkroom setup.
Enlarger Type: Condenser vs Diffusion
Condenser enlargers, like the Beseler Printmaker 67, use a lens system to focus light through the negative. They produce sharper images with higher contrast, making them ideal for black and white printing. The trade-off is that condenser systems can accentuate dust and scratches on negatives.
Diffusion enlargers scatter light evenly through the negative, producing softer images with lower contrast. They are gentler on damaged negatives and preferred for color printing. Most professional color labs use diffusion systems for their forgiving nature.
Film Format Compatibility
Your enlarger must handle the largest film format you plan to print. A 35mm-only enlarger cannot be upgraded to medium format later. The Beseler Printmaker 67 handles up to 6x7cm, covering 35mm and most medium format films. For large format 4×5 printing, you need a dedicated large format enlarger.
When choosing accessories like changing bags and developing tanks, match the format to your shooting style. The JJC changing tent handles 4×5 and 5×7, while the eTone developing kit covers 35mm and 120 film.
Light Source: LED vs Halogen
LED light sources are the newer technology gaining ground in 2026. They run cooler, last longer, and provide consistent output without warm-up time. LED systems also draw less power, which means your timer and voltage regulator work less hard.
Traditional halogen and tungsten bulbs remain the standard in most professional setups. They offer a broad, continuous spectrum that works well with all paper types. The Beseler modular head system lets you upgrade from the standard condenser to LED or cold light heads as your needs evolve.
Kit Completeness vs Individual Components
Complete kits like the eTone processing sets offer convenience and cost savings when starting from scratch. The trade-off is that kit components are often lower quality than individually purchased professional gear. The developing tank in the eTone kit, for example, is functional but not as robust as a Paterson tank.
If you already own some darkroom gear, buying individual components lets you upgrade specific pieces without paying for redundant equipment. If you are starting fresh, a kit gets you printing faster.
Budget Considerations
Darkroom equipment spans a wide price range. The eTone developing trays cost under $25, while the Beseler Printmaker 67 enlarger runs over $1,000. Plan your budget around your most-used components: the enlarger, timer, and developing tank are worth investing in, while trays and clips can be budget-friendly.
Used equipment is also worth considering. Brands like Beseler and Omega have decades of service life, and well-maintained used enlargers often perform as well as new ones at a fraction of the cost.
Frequently Asked Questions
What is the best photo enlarger?
The Beseler Printmaker 67 is the best photo enlarger for most darkroom printers in 2026. Its 6x7cm condenser lamphouse produces sharp professional-quality prints, the counter-balanced column eliminates vibration, and the modular head system supports upgrades to variable contrast and color printing.
Are photo enlargers still used today?
Yes, photo enlargers are still used by film photographers, art photographers, and darkroom enthusiasts worldwide. The analog photography revival has driven renewed interest in darkroom printing, with brands like Beseler continuing to manufacture enlargers and accessory companies producing new timers, changing bags, and processing kits.
Where can I find darkroom enlargers for sale?
Darkroom enlargers are available new from photography retailers and Amazon, with brands like Beseler offering current models. Used enlargers from Omega, Durst, and Leitz are widely available on eBay, specialized photography forums, and estate sales. Always verify condition and completeness when buying used enlarger systems.
What is a darkroom enlarger?
A darkroom enlarger is a device that projects light through a photographic negative onto photo paper to create a enlarged print. It consists of a light source, negative carrier, lens, and a column or bellows system that controls magnification. Enlargers are the central tool in traditional wet darkroom printing.
Which enlarger is best for beginners?
For beginners, the Beseler Printmaker 67 offers the best combination of quality and approachability with its straightforward condenser design and built-in filter holder. If budget is a concern, starting with a complete developing kit like the eTone Darkroom Equipment Kit lets you learn film processing before investing in a full enlarger system.
Conclusion
Building a darkroom in 2026 gives you more options than ever before. The best enlargers for darkroom printing combine proven equipment like the Beseler Printmaker 67 with modern accessories like the eTone Professional Digital Darkroom Timer. Together, these tools create a printing workflow that delivers professional results at home.
For most photographers, I recommend starting with the eTone Professional Digital Darkroom Timer as your foundation, pairing it with the Beseler Printmaker 67 for the enlarger itself. Add the eTone processing dishes kit for paper development and the JJC changing tent for large format work, and you have a complete darkroom capable of handling everything from 35mm to 4×5.
The beauty of darkroom printing is that the fundamentals have not changed. A sharp enlarger, precise timing, and clean chemistry still produce prints with a depth and character that digital cannot replicate. Invest in the gear that matches your format and ambitions, and start printing.
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