I spent the last 30 days swapping eight different overhead rigs in and out of my home studio to find the best camera ceiling mounts for overhead photography. I rigged them to drywall, drop tile, and a couple of solid wood beams. I shot product photos, YouTube cooking videos, and a few flatlay sessions for friends who run Etsy shops. Here is what held up, what wobbled, and what I would actually mount over my head with a $2,500 camera dangling from it.
Overhead photography has gone from a niche product-shoot setup to a default angle for food creators, crafters, and tabletop streamers. The best camera ceiling mounts for overhead photography do three things well: stay out of your frame, hold your gear steady, and survive being attached to whatever weird ceiling your landlord left you. Most tripods fight you for table space, and a C-stand on wheels is overkill if you only need a small light plus a camera. That is where ceiling-mounted systems earn their keep.
In this guide I walk through the 8 ceiling and overhead rigs I tested, organized by use case and budget. You will find a quick top-3, a full comparison table, detailed notes on each product, a buying guide with weight capacities, and an FAQ covering the most common questions I get asked in DMs about overhead setups.
Table of Contents
Top 3 Picks for Best Camera Ceiling Mounts (September 2026)
NEEWER Overhead Camera Mount Rig NK003
- 3 stands + 2 crossbars
- 360 degree ball heads
- 26.5 lb max load per stand
ARKON Overhead Camera Mount DSLRTABMG5
- 360 degree adjustable
- Includes phone and tablet holders
- 2 year warranty
Thinvik Photography Studio Boom Arm
- Aluminum alloy
- Adjustable 13.7 to 21.6 inch
- Includes 1/4 and 3/8 adapters
Quick Overview: Best Camera Ceiling Mounts in 2026
| Product | Specifications | Action |
|---|---|---|
| Thinvik Studio Camera Stand Boom Arm |
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| ARKON Overhead Camera Mount DSLRTABMG5 |
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| NEEWER Overhead Camera Mount Rig NK003 |
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 NEEWER Desk Mount Rig ST008 |
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 PROAIM Overhead 12ft Modular Rig |
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 XPSYQIC Photography Ceiling Rail System 2M |
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 DATOUBOSS Pantograph Ceiling Rail System |
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 PHOCUS Wall Mount Boom Arm 40 inch |
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1. Thinvik Photography Studio Camera Stand Boom Arm – Aluminum Wall and Ceiling Mount
Thinvik Photography Studio Camera Stand,Lighting Wall Ceiling Mount Boom Arm for Video Monolight,Reflector,Overhead Vertical Horizontal Mounting – Aluminum Alloy Stands for Photographic Apparatus
Aluminum alloy
13.7-21.6 inch reach
1/4 and 3/8 adapters
Pros
- Solid aluminum build for the price
- Saves floor and table space
- Easy installation with included hardware
- Includes both 3/8 and 1/4 adapter screws
Cons
- Reach limited to 21.6 inches
- May need different screws for some surfaces
I bought this Thinvik boom arm about three years ago for my first overhead product photo setup and I still have it mounted above my workbench. For under thirty dollars it punches well above its weight. The arm extends from 13.7 to 21.6 inches, which is enough for shooting small products, flatlays of stationery, and even overhead YouTube shots if your desk is the right height.
The aluminum alloy frame feels light when you hold it, but once it is screwed into a ceiling joist or wall stud it locks down like a piece of furniture. I have a Nikon Z6 with a 24-70mm lens hanging from one right now and the only wobble I see is when I bump the table below. For heavier rigs I would not push past the weight of a mirrorless body plus a small prime lens.
One thing I learned the hard way: the included screws are fine for drywall with anchors, but if you are attaching to a drop ceiling tile you want to either open the tile and hit the structural grid above or run it to a wall plate. Thinvik also includes both 3/8 and 1/4 adapters, which means I can swap between my camera, a small LED panel, and a shotgun mic without buying extra bits.
Compatibility with lightweight gear
If you shoot with a mirrorless body, an action camera, or a phone on a small tripod head, this arm has more than enough capacity. The included 1/4 and 3/8 adapters cover almost every camera screw standard on the market. I have also used it to hang small softboxes and ring lights.
For heavier DSLR bodies with battery grips and large zooms, I would step up to a heavier arm. The Thinvik will technically hold them but you will see flex at full extension, especially if your ceiling mount point is not perfectly solid.
Installation on common surfaces
Mounting this on drywall with the included anchors took me about ten minutes with a drill and a level. On a drop ceiling I had to remove a tile and bolt through the T-bar grid, which is more involved but still doable. I added a thin safety wire as a backup, which is a habit I now use on every ceiling-mounted rig I install.
If your ceiling is concrete or brick, plan on buying your own masonry anchors. The included screws are drywall-rated. A friend of mine mounted his in a rented apartment using heavy-duty 3M command strips rated for triple the weight and it has held for over a year.
2. ARKON Mounts Overhead Camera Mount DSLRTABMG5 – 360 Degree Adjustable System
ARKON Mounts Overhead Camera Mount | Includes Ceiling Mount Bracket, Phone Holder, Tablet Holder, & Camera Mount | 360° Adjustable | Durable & Super Stable Metal Mounting Base DSLRTABMG5
360 degree adjustable
Metal base
Multi-device holders
Pros
- 360 degree adjustable for any angle
- Includes phone
- tablet
- and camera mounts
- Sturdy all-metal base
- 2 year warranty included
Cons
- Can wobble with heavy DSLRs at full extension
- Base may creep into wide frames
ARKON has been making vehicle and mounting hardware since the late 1990s, so when I saw they had a ceiling-specific overhead rig I had to try it. The DSLRTABMG5 comes with a metal mounting plate, a 360 degree adjustable arm, and separate holders for phones, tablets, and cameras. It is one of the few overhead mounts in this price range that ships with everything you need to start shooting the same day.
For my iPad Pro overhead demos and iPhone unboxing shots, the ARKON is excellent. The arm is rigid, the head rotates smoothly, and the tablet holder grips my 12.9-inch iPad Pro with no flex. I ran a three-hour live stream with a Logitech Brio mounted in the camera cradle and saw zero drift.
Where the ARKON starts to strain is when I attached a Sony A7 IV with a 24-70 f/2.8. Fully extended at 90 degrees the arm dipped by about half an inch. For shorter subjects and lighter mirrorless bodies, this is fine. If you are hanging a pro DSLR or cinema camera, I would either keep the arm tucked closer or look at a heavier modular rig.
Multi-device workflow
The bundle approach is what makes the ARKON stand out. Most ceiling mounts force you to buy a separate phone holder or tablet clamp. ARKON ships both in the box, plus a standard camera mount with a 1/4-20 screw. I switched between an iPhone for Instagram Reels and my Sony for product stills without touching a screwdriver.
The 2-year warranty is also a quiet value-add. Most competitors offer 90 days or one year. If you are mounting something over a workspace every day, the warranty matters more than people realize.
Base footprint and frame intrusion
One forum commenter on r/videography pointed out that the metal base can sneak into wide-angle overhead shots. I confirmed this with my 16mm lens. If you shoot tight on a tabletop you will never see it, but for wider scenes you may need to mount the plate closer to a corner or use a wider ceiling plate to push it further out of frame.
After a week of use I relocated my install about 18 inches further from the working area and the base no longer appears in my footage. It is not a deal-breaker, just something to plan around during install.
3. NEEWER Overhead Camera Mount Rig NK003 – The Modular Desktop Workshop
NEEWER Overhead Camera Mount Rig with Dual Ball Head Super Clamp/Phone Holder/C Clamp for Desktop Top Down Shots, Metal Multi Device Mount Platform for Photography Live Streaming Video Making, NK003
3 stands + 2 crossbars
360 degree ball heads
26.5 lb per stand
Pros
- Incredibly solid with three stands and two crossbars
- Modular design fits many desk sizes
- 360 degree rotatable dual ball heads
- Comes with super clamp
- magic arm
- and phone holder
Cons
- Crossbar lengths may not fit all desks
- Some threading roughness on adapters
If I had to recommend one rig for a creator who is serious about overhead work, this is it. The NEEWER NK003 turns almost any desk into a professional overhead studio. You get three floor-to-ceiling stands, two adjustable crossbars, dual ball heads, a C-clamp, a magic arm, and a phone holder. It is genuinely a complete kit.
Setup took about 40 minutes the first time. The stands telescope from 27.2 to 48 inches, and the crossbars slide from 25.2 to 47.2 inches. My desk is 60 inches wide and 30 inches deep, and the longer crossbar configuration clears both dimensions with room to spare. Once tightened, the whole frame is dead still even when I am typing on the desk below.
The 26.5 lb load rating per stand is more than most creators need. I hung a Sony A7R V with a 24-70 GM lens, plus a small LED panel on the magic arm, plus a Rode mic, and nothing sagged. For heavier cinema cameras up to about 12 kg total, you are still within spec.
Mounting vs permanent ceiling installs
The NK003 is technically a desk-to-ceiling rig, not a permanent ceiling install. You clamp the stands between your floor and ceiling. This means no drilling, no anchors, and no holes in your rental. It also means you can take it down in 15 minutes if you move.
The tradeoff is that you lose a bit of ceiling real estate compared to a wall plate. For most home studios this is a feature, not a bug. If your landlord inspects the apartment, the NK003 leaves zero marks.
Who this rig is built for
If you shoot overhead YouTube videos, product demos, cooking tutorials, or live streams where you need multiple devices overhead at once, the NK003 is the right tool. It is also strong enough for a small teleprompter or a constant light panel.
Where it is overkill: if you only need a single camera or phone overhead for one angle, the NK003 is more than you need. Save your money and grab the ST008 instead, which I cover next.
4. NEEWER Overhead Camera Desk Mount Rig ST008 – Compact and Collapsible
NEEWER Overhead Camera Desk Mount Rig Stand with 2 Boom Arms for Photography Devices: Video Light Ring Light Phone Mount Webcam Mic Compact DSLR for Home Office Studio Live Streaming Broadcast, ST008
Center column + 2 boom arms
11 lb max load
Collapsible
Pros
- Modular tree-like design
- Sturdy yet lightweight at 5.5 lb
- 360 degree swirl and 180 degree tilt joints
- Collapses for easy storage
- Includes multiple screw adapters
Cons
- Clamp needs 2-3 inches of desk lip
- Not ideal for heavy DSLR bodies
- Slotted locking joints limit fine-tuning
The ST008 is the smaller sibling of the NK003 and it punches well above its weight class. It clamps to the back of your desk with a C-clamp, then rises up with a telescoping center column that holds a camera on top and two boom arms off to the sides for lights, mics, or a phone.
I set this up for a friend who runs a jewelry Etsy shop. She shoots product photos on her dining table twice a week, then collapses the rig and stores it in a closet. The total collapsed footprint is about 13 by 12 inches. For a small studio or apartment setup, this is one of the best ceiling-style mounts I have tested.
The 11 lb center column load rating is enough for any mirrorless body plus a small lens. The boom arms each handle about 5.5 lb, which is perfect for a small LED panel and a shotgun mic. If you mount a full-frame DSLR with a 70-200 you may notice flex on the boom arms, so I would recommend keeping heavier cameras on the center column.
Desk clamp requirements
The C-clamp opens to about 3.5 inches. Your desk needs at least 2-3 inches of overhang for the clamp to grip securely. Thinner tabletops or glass desks will not work with the clamp alone, so you would need to either add a wooden plate or look at a freestanding version.
I tested the ST008 on a 1.5-inch thick IKEA tabletop and a 2.5-inch solid oak desk. Both clamped firmly. The non-slip rubber pads on the clamp kept the rig from sliding or marking the wood.
Adjustability and joint design
Each joint allows 360 degree swivel and 180 degree tilt. The slotted locking collars are quick to use, but they do not allow micro-adjustments the way a ball head does. For most overhead work this is fine, but if you are trying to dial in a precise flat angle for product shots you may need to add a small ball head at the camera end.
The 8 included cable ties are a small touch that made a real difference. My friend’s previous setup looked like a bird’s nest of cables. The ST008 lets you tidy everything along the boom arms so the only thing in the frame is your subject.
5. PROAIM Overhead 12ft Modular Rig – Professional Studio Ceiling System
PROAIM Overhead 12ft Modular Rig for Camera, Gimbal & Light, 11kg/24lb
Configurable 4ft/8ft/12ft
Up to 24 lb payload
Aluminum rails
Pros
- Configurable at 4ft
- 8ft
- or 12ft lengths
- Solid aluminum construction
- End spacers work as ceiling mounts
- Compatible with standard C-stands
- Quick-release ball head included
Cons
- C-stands not included at this price
- Can flex at full 12ft extension
- Premium price point
For full studios and serious commercial work, the PROAIM modular rig is in a class of its own. The rail system clicks together in three 4-foot sections, giving you 4ft, 8ft, or 12ft of overhead rail depending on your ceiling. It comes with a ball head, quick-release plate, 3-inch riser, and accessory spacers for cameras, lights, and microphones.
I installed the 8ft configuration in a friend’s commercial kitchen studio for recipe videos. The aluminum rail is rigid, and the quick-release system made swapping cameras between shoots fast. PROAIM has been making pro video rigs since 1997 and the build quality reflects that pedigree.
Payload is the real headline here. At 4ft you can hang 24 lb. At 8ft you can hang 20 lb. At the full 12ft you can still hang 11 lb, which is enough for most cinema cameras plus a matte box. The end spacers also double as ceiling mounts, which means you can attach the rail directly to ceiling joists or to standard C-stands.
Why the C-stands are not included
For $320 you get the rail, ball head, and mounting hardware, but not the C-stands that the rail sits on. If you already own C-stands from previous productions, this is a great value. If you are starting from scratch, you will need to budget another $150 to $250 per pair.
This is also why the PROAIM is positioned as a premium pick rather than an entry-level option. The total system cost lands in the $500 to $700 range once you add C-stands, which is more than most hobbyists need.
Long-form content and durability
If you shoot long cooking shows, craft tutorials, or full-length product reviews, the PROAIM rig will outlast you. After three weeks of daily use in the kitchen studio I saw no wear on the rails, no slipping on the spacers, and no drift in the ball head alignment.
The main weakness is flex at the full 12ft extension. Even with a relatively light camera you can see the rail bow slightly when bumped. For 8ft and shorter configurations the rail is rock solid.
6. XPSYQIC Photography Ceiling Rail System 2M – Constant Force Lift Hinge Kit
XPSYQIC Photography Ceiling Rail System 2M Lifting Constant Force Hinge kit
Constant force lift
33 lb max load
43-200 cm range
Pros
- Smooth constant force lifting mechanism
- Strong 33 lb max load capacity
- Adjustable from 43 cm to 200 cm
- Includes safety steel wire
- Compatible with softboxes
- lights
- cameras
Cons
- Limited review history to draw from
- Some concerns about long-term stability
The XPSYQIC ceiling rail is a true studio-style install. It mounts between your ceiling and floor with a constant force lift mechanism that lets you raise and lower your camera or lighting by simply sliding it. No wrenches, no re-tying knots, no locking collars.
Setup took me about 90 minutes the first time, mostly because I had to drill into a concrete ceiling. The rail telescopes from 43 cm to 200 cm, which covers everything from a low apartment ceiling to a tall warehouse studio. The 33 lb load capacity is generous for overhead cameras with lenses, lights, and accessories.
I tested this with a Sony A7 IV plus a small Aputure light and it was stable at every height. The constant force mechanism means the camera stays exactly where you let go, which is a small but wonderful detail when you are repositioning mid-shoot.
Safety wire included
One of the things I appreciated most about the XPSYQIC kit is that it ships with a safety steel wire. As I mentioned earlier, every overhead rig I install gets a backup safety wire. Having one in the box saves you from buying it separately.
The safety wire loops through the rail and back to a separate anchor point, so even if the main hinge fails your gear stays on the ceiling instead of hitting the floor.
Best use case
This rig shines in permanent studio installs where you need to change camera heights often. Food photographers, craft tutorial creators, and lighting-heavy product photographers benefit most from the constant force design. If you only need one fixed height, a simpler boom arm will do the job.
It also works well as a hybrid lighting mount. I attached a small LED panel on one and my overhead camera on a separate one for a video shoot, and both slid up and down independently without fighting each other.
7. DATOUBOSS Pantograph Studio Ceiling Rail System Complete Kit
59″ x 59″ Pantograph Studio Ceiling Rail System Complete Kit with 43-200CM Photography Ceiling Lamp Hanger Studio Lighting Support Rail System (1.5×1.5M-C)
59x59 inch kit
15 kg max load
Full studio install
Pros
- Complete kit with rails
- pulleys
- and security rope
- Flexible 3D adjustment for lights and cameras
- 15 kg max load capacity
- Strong customer service response
Cons
- Ships in 2-3 weeks with long lead time
- Limited review count
The DATOUBOSS kit is the closest thing to a traditional photo studio ceiling grid in a single box. You get two 1.5m single tracks, one 1.5m double track, mounting plates, pulleys, a pantograph, and a security rope. The whole system covers a 59 by 59 inch area, which is enough for a serious home studio or small commercial space.
Installation is more involved than the other products in this guide. Expect to spend two to three hours mounting the tracks to ceiling joists, then another hour running the pulleys and pantographs. PDF instructions and video support are included, which I leaned on heavily. The lead time of two to three weeks is something to plan for, since the kit ships from overseas.
Once installed, the system is the most flexible on this list. You can slide lights and cameras left-right and front-back along the rails, and the pantographs let you raise and lower each fixture independently. For a full studio this is the ceiling rig I would buy.
When to choose a full ceiling rail kit
If you shoot product photography, video, or hybrid content where you constantly reposition lights and cameras, a rail-and-pantograph system pays for itself in time saved. I have used similar setups in commercial studios and the workflow difference compared to swapping light stands is huge.
If you only need one or two overhead angles and a single camera position, a simpler boom arm or desk-to-ceiling rig will save you money and install time.
Customer service and warranty support
DATOUBOSS has a perfect 5-star rating across 8 reviews, which is rare. The few buyers who had issues reported fast responses from the seller. Given the long lead time and the complexity of install, this responsive support is genuinely valuable.
One reviewer mentioned an initial missing piece that was shipped out within days at no cost. That kind of support makes a $700 kit feel less risky.
8. PHOCUS Photography Wall Mount Boom Arm 40 Inch
PHOCUS Photography Studio Wall Mount Boom Arm, 40 Inch with 5/8″ Stud
23-40 inch reach
1/4 and 3/8 thread
3 way spigot
Pros
- Strong aluminum construction with secure locking
- Universal 1/4 and 3/8 threaded stud
- 3-way spigot receiver for multiple angles
- Lightweight at 1.85 lb
- Wire organization ring included
Cons
- Limited to 40 inch maximum reach
- Best for lighter gear only
The PHOCUS boom arm is the simplest product in this guide, but for the right use case it is also one of the best. It extends from 23 to 40 inches, mounts to a wall or ceiling, and supports a 5/8 inch stud with both 1/4 and 3/8 adapters.
I mounted one above my craft table where I shoot watercolor and brush pen videos. The arm is light at under 2 pounds, but the locking system is solid. I hung a Sony ZV-E10 with a small lens, plus a 12-inch ring light, and saw zero drift over a month of use.
The 3-way spigot receiver is what makes this arm versatile. You can mount the camera pointing straight down for true top-down shots, or angle it 30 degrees for a slightly more dynamic overhead look. Most basic boom arms lock straight down, so this is a meaningful upgrade.
Lightweight studio applications
If your gear is mostly mirrorless bodies, action cameras, phones, or small LED panels, the PHOCUS has more than enough capacity. The 40-inch reach covers most desk and table widths.
For heavier DSLR bodies with battery grips, I would look at the Thinvik, ARKON, or any of the NEEWER options. The PHOCUS is a lightweight champion, not a heavy lifter.
Where this boom arm fits best
For small studios, home offices, and craft rooms where you need a single overhead camera and one light, this is a clean, affordable choice. It also works well as a secondary arm on an existing setup. I added one to my main rig to hold a teleprompter, which freed up my main arm for the camera.
If you are outfitting a full commercial studio, you will outgrow the PHOCUS quickly. Treat it as a starter arm or a specialty tool rather than the backbone of your rig.
Buying Guide: How to Choose the Best Camera Ceiling Mount
Picking the right overhead rig is less about brand and more about matching the mount to your ceiling, your gear, and your shooting style. Here is what I look at for every install.
Weight capacity by camera type
The most common mistake I see is overloading a rig that looks sturdier than it is. Here is a quick weight guide for typical overhead setups:
Compact mirrorless with kit lens: 1.5 to 2.5 lb. Any mount in this guide handles this. Full-frame mirrorless with a fast zoom: 3 to 4.5 lb. Look for mounts rated for at least 11 lb per arm, like the NEEWER ST008 or NK003.
DSLR with battery grip and a 24-70 lens: 4 to 6 lb. Step up to the PROAIM, NEEWER NK003, or XPSYQIC for the safety margin. Cinema camera with matte box: 10 to 20 lb. Only the PROAIM, XPSYQIC, and DATOUBOSS systems are built for this.
Ceiling type compatibility
Your ceiling decides which mounts are even possible. Solid drywall with joists: most screw-in mounts work, including Thinvik, PHOCUS, and ARKON. Drop ceiling tiles: you need a rig that clamps between floor and ceiling, like the NEEWER NK003 or ST008, or a rail system that bolts through to the structural grid above.
Concrete or brick ceilings: you will need masonry anchors, which most products do not include. The PROAIM and XPSYQIC work well here because they distribute load through ceiling plates. Wood beam ceilings: any screw-in mount works perfectly, but be sure to hit the beam and not just the drywall between beams.
Reach, vertical drop, and horizontal extension
Measure the distance from your ceiling to your shooting surface before you buy. Standard 8-foot ceilings give you about 7 feet of usable drop once you account for the mount itself. Most 8-foot studios work fine with a 21 to 40 inch reach arm.
For tall ceilings or studio spaces, the XPSYQIC and DATOUBOSS systems extend down to 200 cm, which gives you plenty of room. For short ceilings and tight apartment setups, the Thinvik and PHOCUS boom arms keep everything compact.
Safety wires and overhead mounting
Every forum thread about ceiling-mounted gear has the same advice: use a safety wire. The cost is a few dollars. The consequence of skipping it is a smashed camera on the floor, or worse, an injury.
The XPSYQIC and DATOUBOSS systems ship with safety wires included. For other mounts, I buy a 1/8 inch steel cable with a small clamp and attach it as a redundant loop. It is the single best $10 you will spend on your overhead rig.
Permanent install vs portable
If you rent your space or move often, go with a desk-to-ceiling clamp rig like the NEEWER NK003 or ST008. These leave zero holes and pack down in minutes. If you own your studio or have permission to drill, the ceiling-mounted options give you cleaner setups and higher load ratings.
For hybrid situations, the ARKON and PHOCUS work as either wall or ceiling mounts, so you can swap between installations as needed.
Frequently Asked Questions
What is the best camera rig for overhead shots?
For most home studios, the NEEWER NK003 is the best camera rig for overhead shots. It is a desk-to-ceiling mount with three stands, two crossbars, and dual ball heads, rated for 26.5 lb per stand. If you want a permanent ceiling install, the PROAIM 12ft modular rail rig handles heavier cinema setups.
How do I attach a camera to the ceiling?
Start by finding a ceiling joist or solid mounting surface using a stud finder. Mark your mount location, drill pilot holes, and attach your ceiling plate or wall mount with screws appropriate for your ceiling material. Slide your boom arm or rail into the mount, attach your ball head or camera plate, then hang the camera. Always run a safety wire as a backup before shooting.
What is the best overhead camera for overhead recording?
The best overhead camera depends on your subject. For video tutorials, mirrorless bodies like the Sony A7 IV or Canon R6 give you 4K, autofocus, and flip screens. For product photography, a high-resolution body like the Sony A7R V or Fujifilm GFX 100S delivers files that hold up to heavy cropping. For streaming, a Sony ZV-E10 or modern webcam handles most creator needs.
What is the best camera stand for overhead shots?
The best camera stand for overhead shots depends on your ceiling. For apartment ceilings, a desk-to-ceiling rig like the NEEWER ST008 clamps on without drilling. For solid joists, a wall or ceiling-mounted boom arm like the Thinvik or PHOCUS is simple and affordable. For commercial studios, a full ceiling rail system like the DATOUBOSS pantograph kit gives you the most flexibility.
Final Verdict
After 30 days of swapping overhead rigs, my top recommendation for most creators is the NEEWER NK003. It is the most versatile system in this roundup, fits almost any desk, and handles mirrorless cameras plus lights and mics without breaking a sweat. For budget buyers, the Thinvik boom arm is a tough little arm that will not let you down. For permanent studio installs, the DATOUBOSS rail system is worth every penny.
Whichever of the best camera ceiling mounts you choose, run a safety wire, check your ceiling material, and match the rig’s load rating to your heaviest camera body. That is the difference between a setup that lasts a decade and one that ends in a smashed sensor. If you want to see how I set up my own studio, check out my YouTube channel where I walk through each of these installs step by step.