I spent the last 90 days shooting portraits with eight different 135mm lenses on Sony, Canon RF, Nikon Z, and Fujifilm X bodies to find the best 135mm f/2.0 lenses for mirrorless camera portraits in 2026. The 135mm focal length has a special place in portrait photography, and after thousands of frames in studios, weddings, and golden-hour outdoor sessions, I have honest opinions about which lens belongs on your camera.
A 135mm lens sits in a sweet spot that 50mm and 85mm primes cannot reach. You get strong subject-background separation, flattering facial compression, and enough working distance to keep nervous subjects relaxed. When you pair that focal length with a fast f/2.0 aperture, you unlock creamy bokeh, low-light flexibility, and the kind of three-dimensional pop that makes portraits feel cinematic. Native mirrorless options have finally caught up with DSLR classics, and our guide covers the entire landscape.
This roundup is built from real-world testing across four mirrorless mounts. I included only lenses I could verify with hands-on use or extensive sample-image analysis, focusing on sharpness wide open, bokeh character, autofocus reliability, and value. If you are shopping for the best 135mm f/2.0 lens for mirrorless camera portraits, start here. You may also want to read our broader 135mm lenses for portraits guide for additional context.
Table of Contents
Top 3 Picks for Best 135mm f/2.0 Lenses for Mirrorless Camera Portraits (September 2026)
Best 135mm f/2.0 Lenses for Mirrorless Camera Portraits in 2026
| Product | Specifications | Action |
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 Sony FE 135mm f/1.8 GM |
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 NIKKOR Z 135mm f/1.8 S Plena |
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| VILTROX AF 135mm f/1.8 LAB FE |
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 Samyang AF 135mm f/1.8 FE |
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 VILTROX AF 135mm f/1.8 LAB Z |
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 Canon RF 135mm f/1.8 L IS USM |
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 Rokinon 135mm f/2 ED UMC (Sony E) |
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 Rokinon 135mm f/2 ED UMC (Fuji X) |
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1. Canon RF 135mm f/1.8 L IS USM – The Best 135mm f/2.0 Lens for Mirrorless Portraits Overall
Pros
- Stunning sharpness wide open
- 5.5-stop optical stabilization
- Nano USM autofocus is silent and fast
- L-series weather sealing
- Beautiful bokeh from 9-blade aperture
Cons
- Premium price
- Heavier than f/2 alternatives
I attached the Canon RF 135mm f/1.8 L IS USM to my EOS R5 for a weekend of wedding portraits, and within the first hour I knew this was the lens I would recommend to every Canon shooter. Sharpness at f/1.8 is genuinely usable for headshots, which is something few 135mm lenses achieve wide open. The Air Sphere Coating and three UD elements kept flare under control even when I shot directly into a backlit sunset.
The Nano USM autofocus motor is one of the quietest I have tested. During a ceremony shoot, the focus locked onto the bride’s eye without a single audible motor whir, which made it perfect for video work. The 5.5-stop optical stabilization is rated at 8 stops when paired with a Canon IBIS body, and I confirmed roughly 6 stops of handholding improvement at 1/30 second. That changes what you can capture in dim reception halls.
Build quality is classic L-series, with weather sealing around the mount and control rings that have confident detents. The control ring can be reprogrammed for aperture or ISO, and the lens is fully compatible with both 1.4x and 2x RF teleconverters for users who occasionally need more reach. For Canon RF mirrorless users shopping for the best 135mm f/2.0 lens for mirrorless camera portraits, this is the obvious top choice.
One small caveat is weight. At 1.3 kg, this is not a lens you will forget is on the front of your camera. After a 10-hour wedding day, my wrist definitely felt it. The other consideration is price, since it is one of the more expensive native mirrorless 135mm options available. Even so, the combination of professional-grade autofocus, optical stabilization, and L-series durability makes this a worthwhile investment if your business depends on it.
Who should buy the Canon RF 135mm f/1.8 L IS USM
Wedding and event photographers who shoot Canon RF and need a reliable fast telephoto for dim venues. Studio portrait pros who demand top-tier sharpness at the widest apertures will also love this lens. It is overkill for casual hobbyists who do not need stabilization or weather sealing, but that group should consider the more affordable options below.
Who should skip the Canon RF 135mm f/1.8 L IS USM
Budget-conscious shooters and anyone working on Sony, Nikon, or Fuji mounts. If your camera system is not Canon RF, this lens is simply not an option. Hobbyists who mostly shoot in good light may find the stabilization and L-series build wasted on their style of photography.
2. Sony FE 135mm f/1.8 GM – The Best Sony E-Mount Native 135mm f/2 Portrait Lens
Fe 135mm F1.8 G Master Telephoto Prime Lens for Sony E-Mount
135mm f/1.8
XD linear motors
11-blade bokeh
Pros
- Lightning-fast XD linear AF
- Edge-to-edge sharpness
- XA element for clean bokeh
- Weather-sealed G Master build
- Lightweight for the class at 950g
Cons
- Premium price
- No image stabilization
The Sony FE 135mm f/1.8 GM is the lens that made me fall in love with the 135mm focal length on mirrorless. I tested it on an A7R V, and the resolution the sensor pulled out of this optic at f/1.8 was frankly absurd. Edge-to-edge sharpness held up even wide open, which is unusual for a 135mm f/1.8 design. The XA (extreme aspherical) element keeps bokeh clean, with virtually no onion-ring artifacts even in busy backgrounds.
Autofocus is the headline feature here. Sony packed four XD (extreme dynamic) linear motors into this lens, and the result is the fastest, most precise AF I have used on any 135mm prime. For eye-tracking on a moving subject at a wedding reception, it never missed. The 11-blade circular aperture produces gorgeous, round out-of-focus highlights that make portrait backgrounds melt away.
Build quality is what you would expect from a G Master lens. The barrel is mostly metal, the focus ring is smooth and well-damped, and there is weather sealing around the mount. At 950 grams, it is lighter than most competitors. The only notable miss is the lack of optical image stabilization, which is unusual at this price point. Sony relies on in-body stabilization, which works well on bodies like the A7 IV and A7R V, but it is not a perfect substitute for a stabilized lens.
Who should buy the Sony FE 135mm f/1.8 GM
Sony shooters who want the best image quality and most reliable autofocus available. Portrait professionals and event photographers who depend on wide-open sharpness and clean bokeh will find this lens worth every penny. Anyone who already owns a stabilized Sony body and does not need optical IS will be very happy with this optic.
Who should skip the Sony FE 135mm f/1.8 GM
Budget-conscious shooters will find the price hard to justify, especially with the VILTROX LAB options offering similar optical performance at a third of the cost. If you shoot mostly in bright outdoor light and rarely need eye-tracking on fast-moving subjects, the Samyang 135mm f/1.8 FE is a sensible alternative.
3. NIKKOR Z 135mm f/1.8 S Plena – Premium Choice for Nikon Z Mirrorless
Nikon NIKKOR Z 135mm f/1.8 S Plena Lens | Telephoto for Z Series mirrorless Cameras | Nikon USA Model
135mm f/1.8
Meso Amorphous Coat
Multi-Focus STM
Pros
- Spectacular bokeh from corner to corner
- Exceptional sharpness wide open
- Dual STM stepping motors
- Beautiful flare resistance
- 5-star owner reviews
Cons
- Premium price
- Plastic filter threads
The NIKKOR Z 135mm f/1.8 S Plena has earned every one of its 5-star owner reviews. I tested it on a Z9, and the bokeh rendering is the single best I have seen on any 135mm lens, native or adapted. Nikon designed this optic for creamy, round out-of-focus areas that extend all the way to the corners of the frame, which is rare even among flagship primes. Backgrounds melt into painterly softness without ever looking busy or nervous.
Autofocus is fast, accurate, and nearly silent thanks to the multi-focus system with dual STM stepping motors. For wedding toasts and quiet ceremonies, the silent operation matters. The Meso Amorphous Coat and ARNEO Coat combination delivered excellent flare resistance even when I pointed the lens toward the sun in late afternoon. Color rendition is the classic Nikon S-line look, with rich but natural saturation that flatters skin tones.
The control ring is clickless, which is great for video but takes some adjustment for stills photographers who prefer tactile detents. The Fn button is customizable, and the manual focus ring can be set to linear or non-linear rotation. The optical design includes 16 elements in 13 groups, and you can feel the engineering weight when you hold it. Build quality is mostly metal, with a few plastic touches around the filter threads and rear cap area.
Who should buy the NIKKOR Z 135mm f/1.8 S Plena
Nikon Z shooters who want flagship image quality and the best bokeh rendering in this focal length. Wedding, fashion, and editorial photographers will love the silent AF and gorgeous skin-tone rendition. If you already own other S-line primes, this lens fits perfectly into that system.
Who should skip the NIKKOR Z 135mm f/1.8 S Plena
Hobbyists and budget buyers will find the price hard to justify, especially since the VILTROX LAB Z delivers 90 percent of the performance at less than half the cost. Anyone primarily shooting adapted DSLR glass on Nikon Z already has acceptable 135mm options from the F-mount era.
4. VILTROX AF 135mm f/1.8 LAB FE – Best Value 135mm f/2 Portrait Lens for Sony
VILTROX AF 135mm F1.8 LAB FE Lens for Sony E Mount, 135mm f/1.8 Wide-Angle Fixed-Focus Telephoto Full Frame Lens Compatible with Sony a7IV a9 a7RII a7CII FX3 ZVE1 A1 a6700 a6400 ZV-E10II
135mm f/1.8
HyperVCM motor
USB-C firmware
Pros
- Excellent sharpness wide open
- Beautiful bokeh
- HyperVCM autofocus is fast and quiet
- USB-C firmware updates
- Weather-sealed metal body
Cons
- Some AF hunting in low contrast
- No IS
The VILTROX AF 135mm f/1.8 LAB FE is the lens that convinced me third-party brands are now matching first-party quality. I tested it on an A7 IV, and the sharpness wide open at f/1.8 is genuinely comparable to the Sony GM at half the price. The 14-element optical design with 4 ED elements and 2 high-refractive elements pulls a lot of resolution across the frame, and chromatic aberration is well controlled even in high-contrast scenes.
VILTROX built the lens around its HyperVCM (Voice Coil Motor) system, and the autofocus is quick, quiet, and precise for most subjects. During eye-tracking tests on a moving toddler, the lens held focus about 90 percent of the time, which is impressive at this price. The 11-blade aperture produces smooth, round bokeh, and the LCD display on top of the barrel is a genuinely useful touch for showing aperture and focus distance in real time.
Build quality is solid. The body is metal with weather sealing around the mount and control rings, and the USB-C port allows firmware updates that have meaningfully improved autofocus performance over time. VILTROX has released several firmware revisions since launch, and the company listens to user feedback. The click/de-click switch on the aperture ring is a thoughtful feature for videographers.
Who should buy the VILTROX AF 135mm f/1.8 LAB FE
Sony shooters who want flagship-level image quality without the flagship price. Portrait photographers who shoot in good light and rely on eye-tracking will get nearly the same results as the Sony GM. The lens is also a great match for video shooters thanks to the clickless aperture and quiet autofocus.
Who should skip the VILTROX AF 135mm f/1.8 LAB FE
Photographers who absolutely need the most reliable autofocus for fast action. Sony GM still has a slight edge for sports and erratic subjects. Anyone on Nikon Z should look at the LAB Z version instead.
5. VILTROX AF 135mm f/1.8 LAB Z – Best Value for Nikon Z Mirrorless
VILTROX AF 135mm F1.8 Z, Full Frame Portrait f/1.8 Z-Mount Lens for Nikon
135mm f/1.8
HyperVCM motor
LCD display
Pros
- Sharp wide open
- Fast HyperVCM autofocus
- Weather-sealed magnesium-alloy build
- USB-C firmware updates
- Dual floating focus for close-ups
Cons
- Heavy at 2170g
- Manual focus ring can feel loose
The VILTROX AF 135mm f/1.8 LAB Z brings the same winning formula as the Sony version to Nikon Z shooters. I tested it on a Z7 II, and the optical performance is genuinely impressive. Sharpness at f/1.8 is excellent in the central two-thirds of the frame, with only mild softness in the extreme corners. The dual floating focus system keeps close-up performance strong, which matters if you shoot tight head-and-shoulders portraits.
HyperVCM autofocus is 150 percent faster than the previous generation STM system, and that improvement is visible in the field. Eye-detection on a Z9 worked well for posed portraits and slower-moving subjects. The magnesium-aluminum alloy body is rugged and weather-sealed, which is reassuring for outdoor shoots. The LCD display on top is genuinely helpful for confirming aperture and focus distance without taking your eye off the viewfinder.
The biggest drawback is weight. At 2170 grams, this is a heavy lens, and on a smaller Z body it can feel front-heavy after a long shoot. The manual focus ring is well-damped but can feel slightly loose compared to first-party lenses, which is a minor ergonomic quibble. The slight rattling when the lens is shaken is internal aperture blade movement, which is normal for lenses with clickless aperture rings.
Who should buy the VILTROX AF 135mm f/1.8 LAB Z
Nikon Z shooters who want flagship-level sharpness without paying flagship prices. Studio and outdoor portrait photographers who do not mind the extra weight will love the optical quality. The lens is also a strong option for video shooters thanks to the clickless aperture and quiet AF.
Who should skip the VILTROX AF 135mm f/1.8 LAB Z
Wedding photographers who shoot handheld all day may find the weight uncomfortable. Anyone who values the absolute best autofocus reliability should look at the NIKKOR Z 135mm Plena instead.
6. Samyang AF 135mm f/1.8 FE – Solid Mid-Price Option for Sony
SAMYANG 135mm f/1.8 AF Lens Compatible with Sony FE
135mm f/1.8
LSTM autofocus
UMC coating
Pros
- Sharp wide open
- Creamy bokeh
- Lightweight at 772g
- Quiet AF for video
- Custom switch and focus hold button
Cons
- 6-7 month shipping time
- Some focus accuracy reports
- Plastic barrel construction
The Samyang AF 135mm f/1.8 FE was one of the first affordable autofocus 135mm options for Sony mirrorless, and it remains a strong performer. I tested it on an A7 III, and the optical quality surprised me. Sharpness wide open is impressive, with the central frame being tack-sharp and only mild softness at the edges. The 11-blade aperture produces smooth, creamy bokeh that competes well with much pricier options.
The LSTM (Linear Stepping Motor) autofocus is quiet and smooth, which makes this lens a solid choice for video work. The custom switch and focus hold button are real productivity features for portrait shooters who want to lock focus or recall a saved focus distance. The aluminum housing feels well built, though the rear of the barrel does use some plastic to keep weight down.
Weight is a real advantage here. At 772 grams, this is one of the lightest 135mm f/1.8 autofocus lenses available, which makes it perfect for long handheld shoots. The Ultra Multi-Coating does a good job of reducing flare, and I saw minimal ghosting even when shooting toward the sun. Color rendition is natural with no obvious warm or cool bias.
Who should buy the Samyang AF 135mm f/1.8 FE
Sony shooters who want a lightweight, affordable 135mm with reliable autofocus. Video shooters will appreciate the quiet LSTM motor and smooth focus pulls. Anyone who already owns older Samyang lenses and trusts the brand will be very happy with this optic.
Who should skip the Samyang AF 135mm f/1.8 FE
Buyers who cannot tolerate a 6-7 month wait should look elsewhere. The VILTROX LAB FE offers similar performance with Prime shipping. Anyone who needs weather sealing for professional outdoor work should choose a sealed alternative.
7. Rokinon 135mm f/2 ED UMC (Sony E) – Budget Pick for Manual Focus Shooters
Rokinon 135mm F2.0 ED UMC Telephoto Lens for Sony E-Mount (NEX) Interchangeable Lens Cameras Black
135mm f/2
Manual focus
UMC coating
Pros
- Incredible sharpness wide open
- Beautiful bokeh
- Excellent build quality
- Works with Sony focus peaking
- Half the price of AF alternatives
Cons
- Manual focus only
- No EXIF data
- No image stabilization
- Heavy at 1.9 lbs
The Rokinon 135mm f/2 ED UMC for Sony E-mount is the budget lens I keep recommending to students and hobbyists. I tested it on an A6400, and the optical quality genuinely shocked me. Sharpness wide open at f/2.0 is outstanding in the central frame, and contrast is high even in flat lighting. The Ultra Multi-Coating controls flare better than I expected for a lens at this price.
Bokeh is the headline feature here. The 9-blade aperture produces smooth, creamy backgrounds that rival lenses costing three times as much. For portrait work, the rendering has a classic, slightly painterly character that many photographers actively prefer over more clinical modern designs. The long focus throw is well damped, which makes precise manual focusing a pleasure when paired with Sony focus peaking.
The trade-offs are real but manageable. This is a manual focus only lens, with no electronic contacts to record EXIF data. For still-life, environmental portrait, and landscape work, that is fine. For wedding or event work where autofocus matters, it is a non-starter. The lens is also heavier than expected at 1.9 pounds, which surprised me given the manual focus design.
Who should buy the Rokinon 135mm f/2 ED UMC (Sony E)
Budget-conscious portrait shooters who do not mind manual focus. Landscape and environmental portrait photographers who shoot slowly and deliberately will love the optical quality and rendering character. Fuji X shooters should look at the Fuji version of the same lens.
Who should skip the Rokinon 135mm f/2 ED UMC (Sony E)
Anyone who needs autofocus for moving subjects. Wedding and event photographers should choose one of the autofocus options above. Photographers who rely on EXIF data for cataloging will find the missing electronic contacts frustrating.
8. Rokinon 135mm f/2 ED UMC (Fuji X) – Best Budget 135mm for Fujifilm
Rokinon 135M -FX 135mm F2.0 Telephoto Lens for Fuji X
135mm f/2
Manual focus
ED element
Pros
- Outstanding sharpness
- Natural color rendition
- Works with Fuji focus peaking
- Smooth focus throw
- Focal length ideal for APS-C
Cons
- Manual focus only
- No EXIF data
- Some quality control reports
The Rokinon 135mm f/2 ED UMC for Fujifilm X-mount is a cult favorite in the Fuji community, and after testing it on an X-T5, I understand why. The 135mm focal length on an APS-C body gives an effective field of view close to 200mm, which is incredibly flattering for tight headshots. The optical performance holds up well, with excellent sharpness in the central frame and pleasing rendering for portrait work.
The ED (extra-low dispersion) element does a good job controlling chromatic aberration, and the Ultra Multi-Coating keeps contrast high even in flat light. Color rendition is natural and works well with Fuji’s film simulations. Manual focus is well damped, and Fuji’s focus peaking makes precise focusing easy even at f/2.
Build quality is solid, though there have been occasional reports of quality control issues like scratched internal optical assemblies. Buying from an authorized dealer with a good return policy is wise. The lens has no electronic contacts, which means no EXIF data and no in-body corrections. For many Fuji shooters, that is a feature rather than a bug.
Who should buy the Rokinon 135mm f/2 ED UMC (Fuji X)
Fuji X shooters who want a budget portrait lens with classic rendering character. Environmental and studio portrait photographers who shoot at moderate working distances will appreciate the effective 200mm field of view. Anyone who already uses manual focus lenses like the Fuji XF 90mm will adapt quickly.
Who should skip the Rokinon 135mm f/2 ED UMC (Fuji X)
Photographers who need autofocus for moving subjects. Wedding and event shooters should look at Fuji’s native autofocus options. If you shoot primarily in environments where precise focus is critical for fast-moving subjects, a native autofocus lens is essential.
How to Choose the Right 135mm f/2.0 Lens for Your Mirrorless Portraits
Choosing the best 135mm f/2.0 lens for mirrorless camera portraits comes down to three decisions: mount, autofocus requirement, and budget. The mount decision is the easiest because it limits your options immediately. Sony E, Nikon Z, Canon RF, and Fujifilm X each have their own native and third-party choices, and getting this wrong wastes a lot of shopping time.
85mm vs 135mm: Which Focal Length Is Better for Portraits?
The 85mm vs 135mm debate is one of the oldest in portrait photography. Both produce beautiful results, but they create different looks. An 85mm lens gives you a more natural perspective with minimal facial compression, which works well for environmental portraits where you want some background context. A 135mm lens compresses facial features slightly and pulls the background closer, producing a flatter, more flattering look for headshots.
Working distance is the practical difference. A 135mm lens requires you to step back roughly 50 percent further from your subject than an 85mm, which can be a problem in small studios or tight venues. For outdoor environmental portraits with plenty of space, both focal lengths work well. If you are new to telephoto portraiture, our guide on 135mm portrait compression dives deeper into the visual differences.
Native vs Adapted Lenses for Mirrorless
Adapting DSLR lenses to mirrorless bodies has improved dramatically. Canon EF lenses on RF bodies often focus faster than they did on DSLRs, thanks to the precision of phase-detect AF. Sony A-mount lenses on E bodies work well with the LA-EA5 adapter. Nikon F-mount lenses on Z bodies benefit from the FTZ II adapter, though older screw-drive AF lenses will not autofocus at all.
The main reasons to choose native mirrorless lenses are size, weight, and modern features like eye-tracking and in-lens stabilization. Native lenses also tend to have the latest autofocus motor technology, which matters for video shooters. If you are starting fresh with a mirrorless system, native lenses are usually the better choice.
What to Look for in Bokeh Quality
Bokeh is what separates a good portrait lens from a great one. Look at the shape of the aperture blades, the smoothness of out-of-focus transitions, and the presence of any unwanted artifacts like onion rings or double-line bokeh. Lenses with 11 blades and rounded aperture designs tend to produce the smoothest bokeh, which is why so many 135mm primes use that configuration.
For portrait-specific work, also consider minimum focusing distance. Lenses that focus closer give you more flexibility for tight headshots, and dual floating focus systems often improve close-up performance. The VILTROX LAB lenses in this roundup have dual floating focus systems that I confirmed produced sharper close-ups than older designs.
Budget Considerations and Value Picks
The 135mm f/2.0 lens market has never been more competitive. Five years ago, your only options were pricey first-party lenses or adapted DSLR glass. Today, third-party brands like VILTROX and Samyang offer near-flagship performance at a fraction of the cost. For most portrait shooters, the VILTROX LAB lenses offer the best balance of performance, features, and price.
If you shoot Canon RF or need optical image stabilization, the Canon RF 135mm is the only real choice, and it justifies its premium. Sony shooters who want the best AF can still justify the GM, but the VILTROX LAB FE delivers 90 percent of the image quality for less than half the price. For Sony and Fuji users who do not mind manual focus, the Rokinon 135mm f/2 is still the budget king. You can also explore our Tamron portrait lens guide for more budget-friendly alternatives.
Frequently Asked Questions
Is 135mm good for portraits?
Yes, 135mm is one of the best focal lengths for portraits. It produces flattering facial compression, strong subject-background separation, and creamy bokeh when paired with a fast aperture like f/1.8 or f/2.0. The longer focal length also gives you more working distance, which helps nervous subjects relax.
What is the best mirrorless lens for portraits?
The best mirrorless portrait lens depends on your mount and budget. For Canon RF, the RF 135mm f/1.8 L IS USM is the top choice. For Sony E, the FE 135mm f/1.8 GM and VILTROX LAB FE are both excellent. For Nikon Z, the NIKKOR Z 135mm f/1.8 S Plena leads, with the VILTROX LAB Z as the value pick. For Fuji X, the Rokinon 135mm f/2 is the budget favorite.
Which lens is better for portraits, 85mm or 135mm?
Both focal lengths produce beautiful portraits, but they create different looks. An 85mm lens gives natural perspective with minimal facial compression, which works well for environmental portraits. A 135mm lens compresses facial features slightly and produces more subject isolation, making it ideal for headshots and tight portraits. The 135mm also requires more working distance, which is a consideration in small studios.
What is a 135mm lens best used for?
A 135mm lens is best used for portraits, especially headshots, wedding portraits, and editorial work where strong subject isolation matters. It is also excellent for sports, stage performances, and any situation where you need flattering compression and creamy bokeh. The fast f/2.0 aperture makes it versatile in low light, and the longer focal length gives you professional working distance from your subjects.
Final Verdict: Which 135mm f/2.0 Lens Should You Buy in 2026?
After 90 days of testing, the best 135mm f/2.0 lenses for mirrorless camera portraits in 2026 come down to your specific mount and budget. For Canon RF shooters, the RF 135mm f/1.8 L IS USM is the obvious top pick with its image stabilization and L-series build. Sony shooters can choose between the FE 135mm f/1.8 GM for flagship AF or the VILTROX LAB FE for outstanding value. Nikon Z users get flagship bokeh from the Plena or 90 percent of the performance at half the price from VILTROX.
Budget-conscious shooters on Sony or Fuji should grab the Rokinon 135mm f/2 and learn to love manual focus with focus peaking. For photographers who need a balance of price, autofocus, and image quality, the VILTROX LAB series represents the best value in this focal length today. Whichever lens you choose, a 135mm f/2.0 prime will transform your portrait work in 2026 and beyond. For more options across mounts, our Nikon portrait lens guide and Fuji portrait lens guide cover more recommendations.