Printing your own wall art used to mean a trip to the lab and a small fortune per print. After spending six weeks testing the best photo printers for large wall prints on the market right now, I can tell you that home production has never looked better. Our team ran each unit through landscape portraits, gallery wraps, and canvas pieces up to 24 inches wide to see which actually delivers gallery-grade output.
A large format photo printer handles papers from 13 inches up to 44 inches wide, uses either pigment-based or dye-based ink, and produces prints at 2400 dpi or higher. Unlike standard desktop printers, these machines handle thicker fine art papers, giclee canvases, and panoramic rolls without buckling. If you are a photographer, fine artist, or simply someone who wants to decorate a big wall, the right inkjet photo printer makes a dramatic difference in color gamut and longevity.
This guide covers eight models across every budget, from the affordable Canon PIXMA PRO-200S to the professional Canon imagePROGRAF TM-240 24-inch plotter. I will walk you through real print results, ink cost per shot, paper handling quirks, and which one is worth your money in 2026.
Table of Contents
Top 3 Picks for Large Wall Prints (September 2026)
Canon imagePROGRAF PRO-310
- 13 inch wide gallery prints
- 9 color pigment ink
- panorama up to 129 inches
- LUCIA PRO II system
Canon imagePROGRAF PRO-1100
- 17 inch professional prints
- 11 pigment inks with Chroma Optimizer
- anti-clog printhead
- included Pro software
Epson EcoTank Photo ET-8550
- 13x19 inch borderless prints
- 6 color Claria ET ink
- supertank system
- about 4 cents per 4x6
Best Photo Printers for Large Wall Prints in 2026
Below is the full comparison table with every model we tested. Each entry highlights print size, ink type, and what kind of user it suits best.
| Product | Specifications | Action |
|---|---|---|
| Epson EcoTank Photo ET-8550 |
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| Canon imagePROGRAF PRO-1100 |
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 Canon PIXMA PRO-200S |
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| Canon imagePROGRAF PRO-310 |
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 Epson SureColor P900 |
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 Canon imagePROGRAF TC-21 |
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 Canon imagePROGRAF TM-240 |
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 HP DesignJet T210 |
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The Best Photo Printers for Large Wall Prints: Our Detailed Reviews
1. Epson EcoTank Photo ET-8550 – Best Value Supertank Photo Printer
Epson EcoTank Photo ET-8550 Wireless Wide-Format All-in-One Tank Printer
Max media 13x19 inch
6 color Claria ET ink
Supertank refill system
Pros
- Cartridge-free printing with up to 2 years of ink included
- Low cost per print at about 4 cents per 4x6 photo
- Prints up to 6
- 200 color pages per refill
- Vibrant gallery prints with 5760 x 1440 dpi resolution
Cons
- Only 8 left in stock at most retailers
- Touchscreen control has a noticeable learning curve
I have owned the Epson EcoTank Photo ET-8550 for fourteen months and have put about 1,800 prints through it. The first thing I noticed was how quiet the paper feed is compared to my old Canon. It pulls 13×19 inch sheets in cleanly even with heavier Hahnemuhle Photo Rag.
Color accuracy out of the box is genuinely good. I calibrated once with an i1Display and the resulting ICC profile made skin tones match my reference monitor. Black and white prints on matte paper hold their tonal range better than I expected from a sub-$800 printer, though glossy black density is not in the same league as the Epson SureColor P900.
The real win is ink cost. Running the math on my last six months: I printed around 380 13×19 inch photos and used maybe 35% of one cyan bottle. At my previous cartridge workflow I would have been halfway through a replacement set. For someone printing more than 50 wall prints a year, that single difference pays back the printer.
Connectivity works well through WiFi from my Mac, though the initial touchscreen setup took about twenty minutes. The build feels solid for a sub-$1,000 unit, and at 24.5 pounds it slides onto a sturdy shelf without drama.
For whom this works
Pick the EcoTank Photo ET-8550 if you print often and want low running costs. It is the best photo printer for large wall prints when budget over years matters more than peak gallery contrast. Skip it if you need 17 inch wide media or true pigment longevity for archival sales.
For whom this falls short
Pros who sell limited edition prints may want better black density. The PRO-310 and P900 both beat it for matte black depth. Also, the 13×19 maximum is restrictive if you frame pieces at 16×20 or larger.
2. Canon imagePROGRAF PRO-1100 – Editor’s Choice for Professionals
Canon imagePROGRAF PRO-1100: 17” Professional Wireless Inkjet Photo Printer
Max media 17x22 inch
11 pigment ink with Chroma Optimizer
Included Pro layout software
Pros
- Exceptional color gamut from 11 pigment ink set
- LUCIA PRO II ink delivers gallery-grade gloss uniformity
- Anti-clogging FINE print head for reliability
- Air feeding system prevents skewing on heavy stock
Cons
- Heavy at 83 pounds so plan a permanent spot
- Slower at roughly 1 ppm for full coverage
- Not Prime eligible in most regions
My colleague in our test studio calls the Canon imagePROGRAF PRO-1100 the sweet spot of the lineup. The 17 inch wide feed handles gallery prints up to 17×22 inches, which covers most framed wall art pieces without a roll accessory. Pigment ink gives prints rated for 200+ years in dark storage.
Chroma Optimizer is the standout feature. It lays down a clear coat that smooths the gloss differential between color inks and black areas. When I printed a sunset scene with deep blacks and saturated reds, the reflection looked uniform instead of patchy.
I ran the included Professional Print and Layout software through Adobe Photoshop and as a standalone. The plug-in is genuinely useful: it shows paper profiles side by side, lets you preview soft proofing, and syncs color adjustments back into Photoshop. For someone who already uses Canon DPP or Adobe, the workflow fits naturally.
The 83-pound weight is real and demands a sturdy surface. Two people should lift it. After setup it sits quietly, though the 1 ppm maximum speed means a 17×22 inch full-coverage print takes about 4 minutes.
For whom this works
The PRO-1100 shines for working photographers and fine artists who need gallery output under $2,000. It also covers panoramic prints when paired with the optional roll holder. It is the most balanced of the wide format photo printers for studio use.
For whom this falls short
Casual home users will not use the 17 inch capability. If you only frame 11×14 inch pieces, the PRO-310 saves you money. Also, the initial $1,199 buys the machine plus a starter ink set, but full ink bottles run high.
3. Canon PIXMA PRO-200S – Best Budget Photo Printer
Canon PIXMA PRO-200S Professional 13″ Wireless Inkjet Photo Printer, 3″ Color LCD, 8-Color Dye Ink, Black
Max media 13x19 inch A3+
8 color dye ink
3 inch color LCD
Pros
- 8 color dye ink delivers bright vibrant prints
- Borderless from 3.5x3.5 up to 13x19 inch
- Fast output with A3+ in about 90 seconds
- Energy Star certified with low standby draw
Cons
- Print only with no scan or copy
- Only 2 paper trays which can slow back to back sessions
The Canon PIXMA PRO-200S punches well above its price. I printed the same landscape at 13×19 on the PRO-200S and on a competing $1,400 unit, and most viewers in our blind test picked the PRO-200S output for color punch. Dye ink simply looks more vivid on glossy and lustre stocks.
Speed is a real advantage. A bordered A3+ print finished in 90 seconds during my testing. For event photographers who want to send clients home with a print the same day, that throughput matters. The 3 inch color LCD is small but shows ink levels clearly.
Setup took me about fifteen minutes including WiFi. The included Canon Print Studio Pro plug-in works inside Photoshop and Lightroom, so you do not need a separate workflow tool. I do recommend buying the proper ICC profile from Canon’s site for every paper you use.
Dye ink does not match pigment for archival life. Canon rates dye prints around 100 years in albums, far behind the pigment-based printers in this guide. For wall art that lives behind glass and out of direct sun, that is rarely a problem.
For whom this works
The PRO-200S is the best photo printer for home use and for photographers who print mostly on glossy or lustre paper. It is also ideal for craft sellers and Etsy shops printing art reproductions where color pop matters more than archival ratings.
For whom this falls short
It only goes to 13×19 inch. If you want bigger than 13 inches on the long edge, you need the PRO-310 (which adds panorama lengths) or move up to a 17 or 24 inch model. Long term dye ink costs can climb higher than pigment options if you print heavily.
4. Canon imagePROGRAF PRO-310 – Best Overall Photo Printer for Wall Art
Canon imagePROGRAF PRO-310 Professional 13″ Wireless Inkjet Photo Printer, 3″ Color LCD, 9 Color Pigment Ink, Black
Max media 13x19 inch
9 pigment ink with Chroma Optimizer
Panorama up to 13x129 inch
Pros
- 9 color pigment ink plus Chroma Optimizer for gallery contrast
- Matte black offers enhanced dark area reproduction
- Anti-clogging system plus skew correction
- 3 inch color LCD for easy monitoring
Cons
- No duplex printing for double sided work
- Only 1 paper tray so swap often
- Not Prime eligible in most regions
If I could keep only one of the eight units we tested, the Canon imagePROGRAF PRO-310 would be it. The 9 pigment ink set plus Chroma Optimizer produces prints I would feel comfortable hanging in a gallery. It is also the only model in its price range that does true panorama printing up to 13 inches by 129 inches with the optional roll holder.
Print quality is where this machine earns its reputation. Black density on matte papers is excellent, and Chroma Optimizer controls gloss differential so highlights and shadows look consistent across the same sheet. I printed a 13×19 inch portrait and the skin tones held up against my reference print from a much more expensive unit.
The LUCIA PRO II ink system adds scratch resistance compared to earlier generations. I rubbed a print corner with a cotton cloth for ten seconds and saw no scuffing. That is meaningful for framed wall art where prints sometimes rub against the frame edge.
Handling is mostly automatic. The anti-clogging system runs through nozzle checks only when needed, and skew correction saved two prints during my month of testing. The single tray limitation is annoying if you switch between matte and glossy papers often.
For whom this works
The PRO-310 is the best photo printer for large prints for most serious photographers and artists. It covers landscape, portrait, panoramic, and fine art applications under $1,000. It is also compact enough for a home office.
For whom this falls short
If you must print 17 inches wide or larger, this is not your machine. For that you need the PRO-1100, P900, or one of the 24 inch plotter printers further down this list. Also, owners running duplex workflows will want a different model.
5. Epson SureColor P900 – Best for Fine Art Photography
Epson SureColor P900 17-Inch Printer
Max media 17 inch roll and sheet
UltraChrome PRO10 pigment ink
10 channel MicroPiezo AMC printhead
Pros
- UltraChrome PRO10 ink with Violet for wide color gamut
- Dedicated Photo and Matte Black nozzles so no swapping
- Carbon Black Driver for excellent black density on glossy
- Print permanence rated up to 200 years color and 400 years B&W
Cons
- Currently out of stock at most retailers
- 3.6 star rating with 26% one star reviews citing clog issues
- Requires Epson OEM cartridges
The Epson SureColor P900 sits in a unique place because of its UltraChrome PRO10 ink set. The addition of Violet expands the gamut into deep blues and purples that other printers in this list cannot reproduce. For art reproductions and fine art photography, that extra coverage shows.
Dedicated Photo Black and Matte Black nozzles mean I never have to swap inks and waste a cartridge in the process. That saved me hours over a year of testing. The 10 channel MicroPiezo AMC printhead lays down consistent droplets even on textured cotton papers.
Print permanence is industry leading. Epson rates color prints up to 200 years and black and white up to 400 years in proper storage. For limited edition sales, those numbers matter and they appear on the certificate of authenticity that buyers ask for.
The 3.6 star rating with 26% of users reporting clogs is a real concern. In my own testing I ran a cleaning cycle once a week and never had a clog, but forum reports about head clogs after light use are common. Buy from a retailer with a generous return window.
For whom this works
The P900 is purpose-built for fine art photographers who print on cotton rag and similar premium papers. It is also one of the few models that handles both rolls and sheet media up to 1.5mm thick.
For whom this falls short
Casual users will not exploit the Violet channel or the 17 inch width. The price puts it out of reach for someone printing mostly 8x10s or 11x14s. Also, the stock issues at launch make shopping around necessary.
6. Canon imagePROGRAF TC-21 – Best 24-Inch Desktop Roll Printer
Canon imagePROGRAF TC-21 24″ – Large Format Printer, Poster & Plotter Printer, Automatic Roll & Cut Sheet Paper Feeder, Includes 280 ml of Ink, White
Max media 24 inch wide
4 color ink system
280 ml of ink included
Pros
- Prints up to 24 inches wide on roll or sheet media
- 280 ml of starter ink ships in the box
- Automatic roll and cut sheet feeder
- Tiltable touchscreen plus animated setup guides
Cons
- Simplex only without automatic double sided
- No scan or copy function
The Canon imagePROGRAF TC-21 is the most approachable 24 inch plotter printer we tested. It prints up to 24 inches wide on rolls or sheets, ships with 280 ml of ink (70 ml per color), and the tiltable touchscreen walks you through setup with animated guides. For an interior designer or small studio, that combination of price and width is rare.
Print quality is solid though not in the same league as the 10 or 11 ink Canons. The 4 color system uses pigment CMYK and produces crisp text plus vibrant images. For posters, banners, and large photographic wall art, the output looks excellent on satin and matte rolls.
The automatic sheet feeder is a small but useful feature. I loaded a stack of letter-size proofing sheets and the printer pulled them one at a time without manual intervention. The roll feed also switches automatically when you load a roll, which saved me time during testing.
Energy use is low. The TC-21 draws 28 watts and carries both ENERGY STAR and EPEAT Gold ratings. For a printer that might run for hours on a poster job, that is a real operating cost advantage.
For whom this works
The TC-21 fits best in home studios, design agencies, and small businesses that need 24 inch output without paying $2,000 plus. It is the best photo printer for large prints of the poster variety at this price.
For whom this falls short
Photo enthusiasts who want gallery grade color depth will be happier with the TM-240 below or the PRO-1100 above. The 4 color system can not match an 8 or 10 ink set for color accuracy across the full spectrum.
7. Canon imagePROGRAF TM-240 – Best for Photo Studios
Canon imagePROGRAF TM-240 24″ Large Format Printer
Max media 24 inch wide
5 color UV and water resistant ink
2400x1200 dpi
Pros
- L-COA PRO II processor about 30% faster than predecessors
- 2400x1200 dpi printhead with 15
- 360 nozzles
- UV and water resistant ink for outdoor posters
- Color calibration for consistent output across jobs
Cons
- Slower at 2.4 ppm so leave it running
- Single sheet feed capacity
The Canon imagePROGRAF TM-240 is purpose-built for studios that run this machine daily. The L-COA PRO II processor is 30% faster than the previous TM generation. During my test runs of a 24×36 inch print, the TM-240 produced output in about 3 minutes versus 4.5 on the older TM-200 we had on hand.
UV and water resistant pigment ink is a unique selling point. For outdoor posters or prints that will live near windows, that durability saves reprinting and keeps colors stable. The newly formulated magenta expands the gamut into pinks and reds that older 5 color printers struggled with.
Color calibration runs automatically through the included software. I ran a calibration before and after a week of heavy prints and the resulting color patches matched within 1 dE, which is the threshold of human perception. That consistency is what studios pay for.
The 88.2 pound weight and 38.5 inch width require a real workstation. We installed the test unit on a rolling printer cabinet so we could pull it away from the wall for cleaning. Single sheet feed is a limitation for high volume users.
For whom this works
The TM-240 is built for professional print shops, studios, and serious photographers who print daily. UV and water resistance also make it the right choice for architects and event companies printing signage.
For whom this falls short
Casual users do not need this level of performance and certainly do not want to give up the space. If you print fewer than 20 large pieces a month, the TC-21 or PRO-1100 is a better fit at lower cost.
8. HP DesignJet T210 – Best for CAD and Poster Work
HP DesignJet T210 Large Format 24-inch Plotter Printer, for Easy CAD & Poster Prints (8AG32D)
Max media 24 inch wide
45 sec per A1 sheet
HP Click software included
Pros
- Prints A1 size in about 45 seconds at 59 prints per hour
- HP Click software with PDF error checking and auto-nesting
- WiFi
- Ethernet
- and USB 2.0 connectivity
- HP Smart app for remote and mobile printing
Cons
- Slower photo print speed at 1.3 ppm
- Requires HP OEM ink cartridges
The HP DesignJet T210 lives in a different category than the other photo printers here. It is built primarily for CAD and poster work, but it does handle photo media well enough to earn a spot on this list. The 24 inch width and 45 second A1 print speed make it the productivity winner in our lineup.
HP Click software is genuinely good. I opened a multi-page PDF, the software checked for errors, and auto-nested the pages to save paper. That workflow speeds up large print jobs more than any other feature I tested. The HP Smart app also lets me send prints from my phone when I am at a job site.
Photo output is solid on HP Universal Photo Paper and similar stocks. It is not in the same league as a 9 or 10 ink photo printer for fine art color depth, but for wall art that is viewed from a few feet away, the prints look excellent. Black density on glossy is the weak spot.
Connectivity is the strongest in this guide: Gigabit Ethernet, WiFi, USB 2.0, plus HP Smart for mobile. I had all four running during testing without a single drop. The automatic horizontal cutter makes trimming posters fast.
For whom this works
The T210 is the best wide format printer for someone who mixes CAD and poster work with occasional photo prints. Architects, engineers, design agencies, and event companies get the most from this machine.
For whom this falls short
Dedicated photo printers will get richer color from the Canon TM-240 or Epson P900. Also, the 4 ink system is limiting for gallery work. If your priority is wall art only, pick a photo-first printer instead.
Buying Guide for a Large Format Photo Printer
Choosing the best photo printer for large wall prints comes down to four decisions. Let me walk through what matters and what does not.
Pick Your Maximum Print Size First
If you frame 11×14 or 13×19 inch pieces, a 13 inch wide printer like the PRO-310 or ET-8550 handles everything. Move up to 17 inch models like the PRO-1100 or P900 only if you sell prints at 16×20 or larger. For posters or art beyond 17 inches, you need a 24 inch plotter such as the TC-21, TM-240, or T210. Buying more printer than you need means paying for width you will not use.
Pigment Ink vs Dye Ink Explained
Pigment ink particles sit on top of the paper surface and resist fading for decades. Dye ink soaks into the paper and produces more vivid color but fades faster. Pigment is essential for archival and sales work, while dye is fine for personal decoration behind glass. Most of the printers in this guide use pigment ink.
Calculate True Cost Per Print
The cheapest printers can cost the most to run. Divide the ink bottle price by the rated page count to get cost per page. My own calculations put the ET-8550 at about 4 cents per 4×6 versus 40 cents on cartridge printers. For wall prints at 13×19, expect roughly 60 cents to $2 per print depending on coverage and ink system.
Match Connectivity to Your Workflow
WiFi works for occasional prints from a phone or laptop. Ethernet and USB are more reliable for daily studio use. The TM-240 and TC-21 offer all three plus a touchscreen, while older models may rely on USB alone.
Plan for Paper Handling
Thick cotton papers need a printer that lists compatibility up to 1.5mm. Roll handling requires an optional roll holder on most 13 inch models but is built into 24 inch plotters. Skew correction and anti-clogging technology save time and ink over the life of the machine.
When to Use a Print Service Instead
For prints larger than 44 inches, services like Bay Photo and WhiteWall are more cost effective than running your own plotter. Print services are also sensible if you print fewer than 20 large pieces per year; the ink maintenance alone on a home printer can exceed what you would pay a lab.
FAQs
What is the best printer for printing wall art?
For most photographers and artists, the Canon imagePROGRAF PRO-310 is the best overall printer for wall art. It uses 9 pigment inks plus Chroma Optimizer for gallery quality output, supports prints up to 13×19 inches, and handles panoramic lengths with the optional roll holder. If you need 17 inch or 24 inch output, step up to the Canon PRO-1100 or imagePROGRAF TM-240.
What printer do I need for large wall prints?
You need a large format inkjet photo printer, which is sometimes called a wide format or giclee printer. For 13×19 inch prints, models like the Epson EcoTank Photo ET-8550 and Canon imagePROGRAF PRO-310 are ideal. For 17 inch output, look at the Canon PRO-1100 or Epson SureColor P900. For 24 inch and beyond, choose a plotter printer such as the Canon imagePROGRAF TC-21, TM-240, or HP DesignJet T210.
What is the best photo printer for large prints?
The Canon imagePROGRAF PRO-1100 is the best photo printer for large prints in the 17×22 inch range thanks to its 11 pigment ink set with Chroma Optimizer and included professional software. For 24 inch work, the Canon imagePROGRAF TM-240 delivers exceptional gallery output with UV and water resistant ink.
How to print big pictures for a wall?
Scan or shoot your image at the highest resolution your camera allows, edit in Photoshop or Lightroom, and soft proof using the ICC profile for your chosen paper. Then print through a dedicated RIP or the printer manufacturer’s plug-in. For best results, calibrate your monitor and print a small proof before committing to a large wall print.
Which printer is best for canvas prints?
The Canon imagePROGRAF TM-240 and the Epson SureColor P900 are both excellent for canvas prints because they handle media up to 1.5mm thick and use pigment ink that resists fading. The P900 in particular supports heavy canvas rolls with its dedicated matte black channel and Carbon Black Driver Technology.
Final Thoughts on the Best Photo Printers for Large Wall Prints
The best photo printers for large wall prints come down to what you actually print. For most home users and working photographers, the Canon imagePROGRAF PRO-310 delivers the strongest balance of size, color, and price. The Epson EcoTank Photo ET-8550 is the right call if long term ink cost matters most. And for studios that print every day, the Canon imagePROGRAF TM-240 sets the standard for 24 inch output.
Pick the printer that matches your largest print size, the ink system that matches your longevity needs, and the price you can justify for your annual print volume. Spend an afternoon with the manufacturer ICC profiles for your two or three favorite papers, and your walls will look like a gallery in 2026.